The Tasters Review: A Shallow Historical Drama About Hitler's Food Samplers
The Tasters Review: Shallow Drama on Hitler's Food Samplers

Silvio Soldini's historical drama The Tasters delves into the controversial and unsettling story of Adolf Hitler's alleged food samplers during the Second World War. Based on Rosella Postorino's novel, the film follows the fictional character Rosa, portrayed by Elisa Schlott, a young Berlin woman whose husband is missing on the eastern front.

A Questionable Historical Premise

The film's foundation rests on the account of Margot Wölk, who claimed in 2012 at age 95 to have been one of Hitler's food tasters. According to her testimony, young women were forced to sample every dish intended for the Führer due to fears of assassination by poisoning. However, historians have noted a lack of evidence in official records to support this story, casting doubt on its veracity.

Uncomfortable and Shallow Execution

The Tasters presents deeply uncomfortable scenes, particularly during the food tasting sequences. Initially unaware of their purpose, the half-starved women eagerly consume a vegetarian feast at Hitler's Wolf's Lair headquarters. Upon discovering the truth, their meals become a source of terror, with each spoonful potentially carrying death.

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Hitler's personal chef, who often oversees the tastings, explains the Führer's vegetarianism, adding a layer of historical detail. Yet, the film struggles to maintain artistic truth, with a storyline that feels shaky and unconvincing.

Problematic Character Dynamics

Further weakening the narrative is Rosa's affair with a degenerate Nazi officer, played by Max Riemelt. While Rosa is depicted as steely and protective, this relationship appears nonsensical and undermines her character. The portrayal of evil in the film is criticized as worryingly shallow, failing to delve into the complexities of the era.

Overall, The Tasters offers a feast of historical intrigue but leaves viewers questioning its fit as a compelling drama. The film is set for release in UK and Irish cinemas from 13 March.

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