Classical Music Scene Amplifies Female Composers for International Women's Day
The classical music world is embracing a significant annual opportunity to elevate the often-overlooked contributions of female composers throughout history. With International Women's Day on March 8, venues across London are curating special programmes that spotlight the remarkable work of women in music, from the Baroque era to contemporary times.
Wigmore Hall Leads with Women and Power Programme
Taking a quiet but firm leadership role, Wigmore Hall has assembled an impressive lineup for March 8. The Women and Power programme features singer Nardus Williams, lutenist Elizabeth Kenny, and historian Mary Beard exploring Baroque notables through words and music. The concert highlights Barbara Strozzi, arguably the most prolific published composer in 17th-century Venice regardless of gender, and Francesca Cazzini, who may have written the first opera by a woman.
The programme extends into contemporary music with a premiere by Errollyn Wallen based on the legend of Eurydice, described intriguingly as an "anti-lament." This innovative approach promises to offer fresh perspectives on classical themes through modern compositional techniques.
Additional Celebrations Across London Venues
Also on March 8, the Royal Albert Hall presents organist Anna Lapwood and saxophonist Jess Gillam in a concert focusing specifically on female film composers. This programme bridges the gap between classical traditions and contemporary cinematic music, showcasing how women have shaped soundtracks across generations.
On March 12, the Academy of Ancient Music performs at Guildhall School's Milton Court with a programme dedicated to Elisabetta da Gambarini. This 18th-century composer, performer, and impresaria holds the distinction of being the first woman to publish her own music in England, making her story particularly significant in the context of women's musical history.
Rediscovering Hidden Gems: Ina Boyle at Wigmore Hall
One particularly noteworthy event occurs on March 10 at Wigmore Hall's lunchtime concert, focusing on the songs of Irish composer Ina Boyle (1889-1976). Boyle lived in one of Ireland's grandest houses, later purchased by Chris de Burgh, studied under Vaughan Williams, and created hauntingly lyrical music that deserves far greater recognition. Soprano Ailish Tynan and tenor Robin Tritschler champion her work in this special performance.
Innovative Approaches to Classical Accessibility
Musicians continue finding creative ways to bring classical music to broader audiences. A new venture called Close Up Classical launches at Ronnie Scott's jazz club on March 9, where violinist Lizzie Ball and friends present a programme blending Mahler, Mozart, and Britten with film music by John Barry, famous for his James Bond scores. The event is compered by another Bond composer, David Arnold, making it ideal for those new to classical music.
Seasonal Traditions and Notable Performances
As Easter approaches, Bach Passions begin appearing on concert calendars. This week features two performances of the St John Passion: one by the Monteverdi Choir at St Martin in the Fields on March 10, and another by the Temple Singers under Thomas Allery at Temple Church on March 12.
Korean soprano Sumi Jo, who dominated the coloratura singing world in the 1980s and 1990s with her brilliant embellishments and glamorous career, performs at Cadogan Hall on March 5 with pianist Malcolm Martineau. Their recital includes songs by Vivaldi, Ravel, and Korngold, offering a rare opportunity to hear this celebrated artist in an intimate setting.
Organizational Changes at Highgate Choral Society
Highgate Choral Society has undergone significant changes following the death of its longstanding conductor Ron Corp. Among these changes is a new regular concert venue at St Jude's in Hampstead Garden Suburb. The choir performs there on March 7 with a programme of liturgical music by Haydn, Schubert, and Mozart under new conductor Sam Evans, marking a new chapter for the organization.
