Mark Hoppus, the bassist and singer of the iconic pop-punk band Blink-182, has opened up in a candid interview, expressing bewilderment over the current state of affairs in the United States. He remarked that not only Americans but people worldwide are grappling with confusion regarding the political landscape, highlighting a sense of disarray among citizens from all walks of life.
A Glimpse into Personal Life and Charitable Acts
Beyond his musical career, Hoppus revealed quirky aspects of his personal life, such as naming chickens after characters from Blink-182 songs during his time living in London and Somerset. On a more serious note, he discussed the sale of his valuable Banksy artwork, Crude Oil (Vettriano), which fetched £4.3 million at auction. The decision to sell stemmed from fears of damage rather than theft, with proceeds generously donated to haematology oncology research and the Firefighters Association in Los Angeles, reflecting his philanthropic spirit.
Surviving Cancer: A Harrowing Journey
Hoppus shared a poignant account of his battle with cancer, describing it as a life-altering experience. Diagnosed with a type that had only one treatment option, R-CHOP chemotherapy, he faced a grim 60% survival chance. He vividly recalled the physical torment of chemotherapy, likening it to being set ablaze from within, and expressed profound surprise at surviving, calling it a freeing realisation that reshaped his perspective on life.
Musical Influences and Band Dynamics
When asked about his top bass players, Hoppus praised Peter Hook of New Order and Simon Gallup of the Cure, emphasising the unique role of bassists as the cohesive force in music. He humorously recounted an encounter with Oasis, where Liam Gallagher complimented Blink-182's coolness without endorsing their music, showcasing the quirky interactions within the rock world.
Reflections on Society and Identity
Hoppus delved into his school years, describing a lonely childhood on a military base that led him to find solace in skateboarding and alternative music, such as the Cure. This period helped him forge an identity distinct from his peers. He also touched on modern media, criticising the prevalence of clickbait and sensationalist headlines that obscure factual reporting, adding to the global confusion he observes.
In closing, Hoppus's insights blend personal anecdotes with broader societal commentary, offering a multifaceted view of his life beyond the stage. His memoir, Fahrenheit-182, is now available, with upcoming speaking engagements in Australia.
