Forgotten British Composer Receives Landmark Recording
In a significant moment for classical music, the complete songs of British composer Rebecca Clarke have been assembled for the first time in a landmark recording project. The release features mezzo-soprano Kitty Whately, tenor Nicholas Phan, and pianist Anna Tilbrook, who bring Clarke's overlooked repertoire to vivid life.
Rediscovering a Lost Musical Voice
Rebecca Clarke's songs have been gradually reappearing in concert programmes in recent years, but this comprehensive survey represents the first time all approximately sixty works have been collected together. Spanning from the early 1910s to the 1940s, before Clarke largely ceased composing, the collection includes around twenty pieces receiving their recording debut.
The compilation reveals Clarke's artistic development from her student days in London, where she set German poetry to music, through to her mature compositions. Early works like Aufblick demonstrate her emerging distinctive voice, while her later style evolved into something darker, more expansive and melodic.
Highlights and Musical Treasures
Among the standout works is Binnorie, an extended setting of a Scottish ballad discovered only after Clarke's death. The recording features a solo viola part, paying tribute to Clarke's own instrument, performed here by Max Baillie. Baillie also switches to violin for some spirited folk song arrangements.
Another remarkable piece is Daybreak, Clarke's setting of John Donne's poetry that creates an eloquent dialogue between tenor and string quartet. The collection also includes her celebrated work The Seal Man, showcasing her exceptional storytelling ability through music.
Compelling Performances Bring Clarke's Music to Life
The performers deliver consistently persuasive interpretations throughout the recording. Mezzo-soprano Kitty Whately particularly shines with what can only be described as superb form, her voice displaying both laser-sharp focus and radiant warmth. Tenor Nicholas Phan and pianist Anna Tilbrook provide equally committed and sensitive accompaniment, creating a compelling case for Clarke's musical legacy.
This comprehensive survey on Signum Classics reveals Clarke as a composer of genuine depth and drama, whose work has been unjustly overlooked for decades. The recording serves as both an important historical document and a richly rewarding musical experience, finally giving Rebecca Clarke's songs the platform they deserve.
