The British theatre world is mourning the loss of Frank Dunlop, a true visionary who reshaped the cultural landscape. Dunlop, the founder of London's pioneering Young Vic theatre, has died at the age of 98.
The Birth of a Theatrical Revolution
Frank Dunlop's most enduring achievement was the creation of the Young Vic in 1970. In an extraordinary feat, he established the theatre in just nine months, converting a former butcher's shop into a vibrant new cultural hub. His vision was clear: to offer lively productions for young audiences at affordable prices. The programming boldly mixed Shakespeare and Molière with modern masters like Beckett, Ionesco, and Genet, creating a unique and accessible space.
The Young Vic quickly forged its own identity, though it initially operated under the auspices of Laurence Olivier's National Theatre company. For Dunlop, the company became a surrogate family. Original members, including actors like Ronald Pickup and Anna Carteret, shared a deep bond, often gathering decades later to reminisce about the theatre's energetic early days.
A Transformative Force at Edinburgh
Dunlop's innovative spirit next took him to Scotland, where he served as director of the Edinburgh International Festival from 1984 to 1991. He radically altered its focus, elevating theatre to a position of prominence over classical music and opera. His tenure introduced British audiences to a wave of international talent.
His most celebrated coup, achieved with producer Thelma Holt, was bringing Japanese director Yukio Ninagawa to the UK. Ninagawa's stunning 'cherry-blossom' production of Macbeth is still hailed as one of the most beautiful stagings ever seen in Britain, followed by equally powerful works like Medea and The Tempest.
The Director Behind the Innovator
While celebrated as an institution-builder, Dunlop was also a director of great skill. He had a particular talent for drawing out landmark performances. In 1971, he directed Paul Scofield in a celebrated National Theatre production of The Captain of Köpenick. Three years later, he guided John Wood to a virtuosic performance in an RSC staging of Sherlock Holmes.
His remarkably varied career also saw him serve as the original director of Joseph and the Amazing Technicolour Dreamcoat, create 'Pop Theatre', and turn Jim Dale into a Broadway star with the hit comedy Scapino in 1974.
Frank Dunlop's restless energy and pioneering spirit mean he was sometimes undervalued in his lifetime. However, the creation of the Young Vic alone secures his permanent and vital place in British theatrical history. The theatre stands today as a bustling, world-renowned venue, a living testament to his visionary belief in making groundbreaking drama accessible to all.
